Dr. Alexander Eastman Quietly Marks A Decade of Stop the Bleed

The man on the ground is bleeding out on the hot Dallas pavement, and the clock is talking.

Ten years ago, the crowd would have done what crowds always did. Stare, shout, dial 911, and then wait for the siren to fix everything.

Now a woman sprints to the wall, tears open a red box that looks like it belongs in a firehouse, and comes back with a tourniquet in her hand. Somebody else has both palms sunk into the wreck of the man’s leg. The belt goes high, the strap ratchets tight, the blood slows, then quits trying to escape.

By the time the ambulance bumps into the lot, the guy is white as printer paper, but he is still in the game.

That is what Alexander Eastman has been working for. Not headlines. Not speeches. Just this. A stranger with a tourniquet and a little nerve, showing up in time.

He is a trauma surgeon by payroll and a cop by badge, and if you are looking for the guy who helped drag bleeding control out of the operating room and drop it on the street corner, you could do worse than starting with him.

“I don’t need everyone to know my name,” Eastman says. “I need them to know what to do in the first three minutes.”

He started like a lot of bright kids in Texas. University of Texas at Austin, then off to George Washington University in D.C. for medical school, class of 2001. After that, he comes back home and crawls into the meat grinder they call a general surgery residency at UT Southwestern in Dallas. Seven years of nights, alarms, and people trying to die on him.

He picks trauma surgery and surgical critical care, which is where the worst days of people’s lives come rolling in on a stretcher.

At Parkland’s Rees-Jones Trauma Center, he ends up chief of the joint. It is a Level I trauma center, which is a polite way of saying if something horrible happens anywhere nearby, it eventually comes through this door. Car wrecks, bullets, knives, machinery that does not care about your plans.

He teaches at UT Southwestern, takes home a shiny teaching award in 2011, collects board certifications like they are baseball cards. General surgery. Surgical critical care. Even emergency medicine. He is the kind of guy who can walk into a room full of monitors and blood and have the nurses step back because now the adult in the situation has arrived.

But the numbers bothering him are not just the ones on the monitor. They are the ones in the trauma registry, the ledger of how we live and die.

Too many people, Eastman sees, are dead on arrival for one simple reason. Nobody stopped the bleeding soon enough.

Doctors like to tell themselves the big decisions happen under bright lights with ten people in the room. Eastman knows better. A lot of verdicts get handed down on dirty sidewalks and inside squad cars.

He does not just sit in the hospital and complain about it. He puts on a different uniform.

He signs up as a reserve lieutenant with the Dallas Police Department. Now, some nights, he rides with SWAT. Helmet, vest, the whole thing. He helps build the Dallas Police Tactical Medic Program so there is someone on the stack who knows what to do when the door opens and the wrong kind of noise comes back.

He is in the mix during the 2016 Dallas police ambush, one of those nights when a whole city finds out how much damage one person can do.

When you live in both those worlds, hospital and hallway, you stop talking about theory. You see the same story twice. On the street, the blood is on your boots. In the trauma bay, it is what is missing from the patient.

That is where his big idea gets simple.

The first people on scene never went to medical school. But they are the ones holding the clock.

Back in Washington, people with titles are trying to do something about mass shootings and bombings and all the new ways America has invented to hurt itself. In October 2015, the Department of Homeland Security, the American College of Surgeons, the Red Cross, and some folks in uniform roll out a new campaign.

They call it Stop the Bleed. The pitch is so simple it almost sounds like a joke. We will teach everybody three things: push hard on the wound, stuff the hole, and crank down a tourniquet when the limb is pouring red like a broken pipe.

Eastman is not the guy holding the ribbon at the launch. What he is, is the guy in the back rooms after that, turning the thing into something that works.

By now, he is Senior Medical Officer for Operations at DHS’s Office of Health Security. That is the long way of saying if something ugly happens on a big scale, his phone rings.

He sits on the American College of Surgeons Committee on Trauma. He helps with the Firearm Strategy Team, the group that comes up with the Chicago Consensus on gun violence, all about treating it like the public health problem it is.

He brings in Parkland’s data, Dallas’s scars, and all the dusty experience from Iraq and Afghanistan. Limbs that would have been lost in earlier wars, saved by a strip of fabric and a fast hand.

The old religion said tourniquets were dangerous, a last resort. The new one, with stacks of charts behind it, says the opposite. Put it on early, save the life, deal with the rest later.

Eastman helps turn that into law for the street. He sits through the endless meetings, the kind where people argue wording on a slide. He keeps repeating the simple parts.

You teach regular people. You give them real gear. You do not bury them in jargon.

He writes and co-writes papers. Twenty of them and counting. In one, Stop the Bleed gets broken down to its bones. Pressure. Packing. Tourniquets. In another, they study what happens when the patient shows up with a tourniquet already on and the ER has to decide when to take it off. The news is good. The old fears about tourniquets turn out to be just that. Old.

He looks at which devices actually work when your hands are shaking and the scene is loud. He helps put out guidance that says, here, use these, not whatever you find on a discount rack.

In a paper on mass shootings, he and his colleagues sketch the whole scene in cold print. Who does what before the ambulance shows. Where the cops stand. Where the bleeding stops.

Underneath the math there is one number he likes to bring up. If we get this right, he says, we could be saving something like 480 lives a year in this country. Not miracles. Just people who do not bleed out in parking lots anymore.

Research by itself is a sleepy thing. Numbers, charts, a couple of doctors arguing at a podium.

Eastman drags it out into the world.

In Dallas, he runs Stop the Bleed trainings through UT Southwestern and the police. Cops, teachers, church groups, office workers. He shows them how to tell the difference between a bad cut and the kind of bleeding that kills. He puts tourniquets in their hands and makes them practice until it feels less like a movie scene and more like a skill.

He does not call them bystanders. He calls them immediate responders. The old word says you stand there and watch. The new one says you are part of the story.

That word catches on.

Before long, red bleeding control boxes start sprouting on walls. Next to the AED, the thing that shocks the heart. Maybe near the fire extinguisher. In airports, schools, churches, office towers.

Workplaces start slipping Stop the Bleed into the same safety slideshow as CPR. Some schools run classes for teachers and older kids. Someone laughs the first time the tourniquet comes out. They stop laughing when they see how fast a fake leg can go dry.

The shift is quiet, but it is there. Trauma centers begin to expect patients to arrive pre-wrapped, not just pre-damaged. Police departments add tourniquets to their duty belts like it is no big deal. News stories after shootings sometimes have a new line in them. A teacher, a shopper, a stranger used a tourniquet before medics arrived.

If you trace that line back far enough, you find Eastman bent over a stack of reports, or teaching in a church basement, or standing in tactical gear behind a squad of cops, thinking the same thought.

Somebody here is going to have to stop the bleeding. Let us make sure they know how.

So who is this guy, if you strip away the titles and the alphabet soup?

He is the kid from Texas who went to D.C. to learn medicine and came back to cut and sew in one of the hardest trauma centers in the country. He is the professor who wins teaching awards and still answers questions from jittery residents at two in the morning.

He is the cop who stands in the doorway with SWAT and listens for the wrong sound. He is the federal doc who sits at the big tables when they talk about what happens to a city when everything goes wrong at once.

He has helped write the rules that tell surgeons, medics, and cops what to do about bleeding and bullets. He has pushed the country toward an idea that sounds obvious only after you hear it.

The first three minutes belong to the people already standing there.

“I can’t be everywhere,” Eastman says. “But everybody can be somewhere. If we give them the training and the tools, they don’t have to watch someone die when they could have done something about it.”

You may never shake his hand. You may never crack open the journals with his name on the author line. But if you work in an office with a red bleeding control kit on the wall, if your kid’s school sends a flyer home about a Stop the Bleed class, that is him, in his way, knocking on your door.

He is inviting you into the story.

Maybe one day you take the class. You learn how to press, how to pack, how to crank down that strap until the red river quits. You go home, toss the certificate in a drawer, and hope you never need it.

Then, if the day comes when a car jumps the curb or a firework goes wrong or a stranger on the bus slumps over in a pool of red, you will remember there was this surgeon-cop from Dallas who kept saying the same thing.

You do not have to be a doctor. You just have to show up and squeeze.

And somewhere, far from that sidewalk, Alexander Eastman will have one more quiet win in a career built on making sure the right person is willing to kneel down when the clock starts talking.


author

Chris Bates

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